Today we’d like to introduce you to Yelitza Diaz
Hi Yelitza, please kick things off for us with an introduction to yourself and your story.
My memories fade quickly, and even though I try to keep them intact, I often find myself lost in nothingness. No, I don’t have Alzheimer’s, don’t get confused—I’ve always been this way, a bit absent-minded. However, I’ll try to summarize my life in a few words and hope it serves as motivation for each of you.
I was born in La Cruz, a humble neighborhood. From a young age, my life has been about striving for improvement, studying, and moving forward, all while never letting go of my dreams. I was creating and selling my work almost as soon as I could walk. I participated in contests at school and elsewhere, gaining recognition. By the time I was 17, I was already teaching Art History in higher education and had designed the coat of arms for my hometown, Tinaquillo, among other notable achievements.
However, being young and a woman, I often felt I wasn’t taken seriously in the art world—at least, that’s how I perceived it. I was a young artist surrounded by seasoned veterans.
Over time, with the arrival of Chávez and Maduro’s government, opportunities began to close. I was fired from my teaching job for not supporting the ruling party. I could no longer teach, and eventually, my family and I had no choice but to emigrate to the United States—legally, of course.
Now, 11 years later, I’m here sharing my story with you. I continue to work in art, creating larger sculptures with improved techniques, winning competitions, and teaching. I’m very proud to keep making my Pequeños Seres sculptures and bringing joy to many art collectors through my work.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
As I mentioned earlier, one of my early challenges was that no one took me seriously because I was a young woman. I wasn’t particularly different from others; I didn’t do anything outrageous or eccentric. I went to church and did everything a sensible person should do. In fact, I was mature for my age. In conclusion: being “normal” isn’t great for gaining fame in the art world.
Another significant challenge was the government. Since I disagreed with their ideology, I was blacklisted, leading to my dismissal and barring me from holding any public positions. This meant I could no longer teach art in Venezuela.
The only option for my husband, my children, and me was to leave the country. We had to fight for a better future and escape the hunger imposed by that narco-regime disguised as a democracy.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I’m a tireless sculptor known for creating contemporary compositions featuring Pequeños Seres—faceless, genderless figures, yet full of movement and artistic force.
Since the beginning, I’ve loved working with the human form, its anatomy, and movement (embracing humanity as a universal being). While I can sculpt faces and other body parts like genitals, I prefer to omit them to avoid unnecessary distractions. My work is minimalist, and I aim to guide the audience directly to the core message.
I work with mixed materials, primarily clay, wood, metals, resins, and paint, among others. Each piece I create is original—my works are unique. Even when using reproduction molds, the final compositions are one of a kind.
I’m particularly proud of designing the coat of arms for my hometown, Tinaquillo. Since 1993, it has been displayed in government offices and schools, teaching young people about its significance and creation.
Throughout my career, I’ve received numerous awards and recognitions. While they were important to me at the time, I’ve reached a point where I no longer seek external validation. I want to work for myself, creating art that truly reflects my essence. The art world is challenging, and I’ve realized it’s not art that’s hard to understand—it’s the audience who collects it.
My current goal is to regain my emotional balance and focus on what truly matters to me.
I’m deeply grateful for this interview, as it has helped me reflect on my beginnings and my purpose in life.
Let’s talk about our city – what do you love? What do you not love?
I love Greenville, SC. The people here are warm, friendly, and always ready to lend a helping hand. In many ways, it reminds me of the Venezuela I knew years ago: a place full of opportunities, with a vibrant culture and a community that values hard work and progress. The Southern hospitality is palpable, with a genuine concern for others’ well-being.
I also enjoy the weather: cold during one part of the year and warm during the other, offering a perfect balance that allows me to appreciate every season. Nature is another highlight of this city. The well-kept gardens, parks, and the preservation of natural spaces not only beautify the surroundings but also reflect the spiritual connection and love for the land that local families possess. Walking through Greenville’s streets fills me with inspiration and peace.
I am deeply grateful for the support I’ve received from the artistic and cultural community here. Institutions like Palmetto Luna Arts, led by Iván Segura, UGallery, the Metropolitan Arts Council Greenville, Anderson Arts Center, and Spartanburg Art Center have been pillars in my journey. Thanks to them and Greenville’s rich culture, I can continue growing and sharing my art with a diverse and passionate audience.
Greenville is a place that perfectly blends modernity with a deep respect for its roots. Its people, landscapes, and community spirit make living here a truly enriching experience.
Contact Info:
- Website: https://yelitzadiazart.etsy.com
- Instagram: @yelitzadiazart
- Other: https://www.ugallery.com/pages/yelitza-diaz
